Political language -- and with variations this is true of all political parties, from Conservatives to Anarchists -- is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.
In a time of universal deceit - telling the truth is a revolutionary act.
If you want a vision of the future, imagine a boot stamping on a human face - forever.
But if thought corrupts language, language can also corrupt thought.
Sometimes the first duty of intelligent men is the restatement of the obvious.
Whatever is funny is subversive, every joke is ultimately a custard pie... a dirty joke is a sort of mental rebellion.
In our age there is no such thing as 'keeping out of politics.' All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.
All political thinking for years past has been vitiated in the same way. People can foresee the future only when it coincides with their own wishes, and the most grossly obvious facts can be ignored when they are unwelcome.
At fifty everyone has the face he deserves.
Most people get a fair amount of fun out of their lives, but on balance life is suffering, and only the very young or the very foolish imagine otherwise.
John Stuart Mill
Conservatives are not necessarily stupid, but most stupid people are conservatives.
The amount of eccentricity in a society has generally been proportional to the amount of genius, mental vigor, and moral courage it contained. That so few now dare to be eccentric marks the chief danger of the time.
The general tendency of things throughout the world is to render mediocrity the ascendant power among mankind.
Whatever crushes individuality is despotism, by whatever name it may be called and whether it professes to be enforcing the will of God or the injunctions of men.
A man who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself.
Don't let schooling interfere with your education.
All generalizations are false, including this one.
A classic is something that everybody wants to have read and nobody wants to read.
Get your facts first, then you can distort them as you please.
Clothes make the man. Naked people have little or no influence on society.
The Public is merely a multiplied "me."
Only kings, presidents, editors, and people with tapeworms have the right to use the editorial "we."
Whenever you find yourself on the side of the majority, it is time to pause and reflect.
Only one thing is impossible for God: To find any sense in any copyright law on the planet.
Don't go around saying the world owes you a living. The world owes you nothing. It was here first.
The best argument against democracy is a five-minute conversation with the average voter.
I like pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.
Don't talk to me about naval tradition. It's nothing but rum, sodomy and the lash.
Never hold discussions with the monkey when the organ grinder is in the room.
Criticism may not be agreeable, but it is necessary. It fulfils the same function as pain in the human body. It calls attention to an unhealthy state of things.
However beautiful the strategy, you should occasionally look at the results.
In war as in life, it is often necessary when some cherished scheme has failed, to take up the best alternative open, and if so, it is folly not to work for it with all your might.
Otto Von Bismarck
When you want to fool the world, tell the truth.
I have seen three emperors in their nakedness, and the sight was not inspiring.
Never believe anything in politics until it has been officially denied.
Be polite; write diplomatically ;even in a declaration of war one observes the rules of politeness.
A witty saying proves nothing.
If God created us in his own image, we have more than reciprocated.
When he to whom one speaks does not understand, and he who speaks himself does not understand, that is metaphysics.
I have never made but one prayer to God, a very short one: "O Lord make my enemies ridiculous." And God granted it.
To succeed in the world it is not enough to be stupid, you must also be well-mannered.
Doubt is not a pleasant condition, but certainty is absurd.
It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.
The best way to be boring is to leave nothing out.
Philosophy stands in the same relation to the study of the actual world as masturbation to sexual love.
All I know is I'm not a Marxist.
The writer may very well serve a movement of history as its mouthpiece, but he cannot of course create it.
What I have most wanted to do throughout the past ten years is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, "I am going to produce a work of art." I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. But I could not do the work of writing a book, or even a long magazine article, if it were not also an aesthetic experience. Anyone who cares to examine my work will see that even when it is downright propaganda it contains much that a full-time politician would consider irrelevant.
So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, and to take a pleasure in solid objects and scraps of useless information. It is no use trying to suppress that side of myself. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.
Putting aside the need to earn a living, I think there are four great motives for writing, at any rate for writing prose. They exist in different degrees in every writer, and in any one writer the proportions will vary from time to time, according to the atmosphere in which he is living. They are:
Sheer egoism. Desire to seem clever, to be talked about, to be remembered after death, to get your own back on the grown-ups who snubbed you in childhood, etc., etc. It is humbug to pretend this is not a motive, and a strong one. Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen -- in short, with the whole top crust of humanity. The great mass of human beings are not acutely selfish. After the age of about thirty they almost abandon the sense of being individuals at all -- and live chiefly for others, or are simply smothered under drudgery. But there is also the minority of gifted, willful people who are determined to live their own lives to the end, and writers belong in this class. Serious writers, I should say, are on the whole more vain and self-centered than journalists, though less interested in money .
Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations.
Historical impulse. Desire to see things as they are, to find out true facts and store them up for the use of posterity.
Political purpose -- using the word "political" in the widest possible sense. Desire to push the world in a certain direction, to alter other peoples' idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude.
It can be seen how these various impulses must war against one another, and how they must fluctuate from person to person and from time to time.
All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane. I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed.
"Netpolitik is a new style of diplomacy that seeks to exploit the powerful capabilities of the Internet to shape politics, culture, values, and personal identity. But unlike Realpolitik — which seeks to advance a nation’s political interests through amoral coercion — Netpolitik traffics in “softer” issues such as moral legitimacy, culturalidentity, societal values, and public perception." - The Rise of Netpolitik
PUN-DIT (n) : A learned man; a teacher; a source of opinion; a critic: a political pundit.